Saturday 29 June 2013

Accalmie



Ce sentiment de solitude
Lorsque tout le monde est couché
Emmailloté dans sa couette
Ivre, repus, satisfait
Et que l'on a bordé chacun
Et que l'on pense
Se ressouvient
Et que le lendemain
On est le seul à ouvrir les yeux sur
Et à émerger dans ce monde fantasque
Et rebelle et passionnant.
Le monde a deux poids, deux mesures. 

Friday 28 June 2013

Automne



C'est l'automne. La bruine tombe comme de la poudreuse.
La monotone bonhommie, lassante et heureuse
Trompe les heures et les étire, cajoleuse.

C'est l'automne. On a ressorti les parapluies.
Les écharpes luttent contre le jour couleur de suie.
Personne dans les rues, tout le monde a fui.

C'est l'automne. Le souffle se rompt en une grasse buée.
Un fin film aqueux recouvre les toits. Tout est mouillé.
Il va falloir se réhabituer, au mois de juillet.

Thursday 27 June 2013

Ce battement de coeur



Comme la masse des nuages dans le lointain comme un colossal cumulus de fumée échappé d'un pays qui se consume
Comme l'odeur du sang qui fout sur les nerfs, fait serrer les poings, fout les boules, panique les esprits, torve les yeux

Pas comme le tonnerre qui fait trembler les huisseries et qui dresse les cheveux sur la nuque
Pas comme le rugissement des vagues qui griffent les rochers et giflent la digue
Pas comme le mugissement du vent qui presse contre les vitres et s'engouffre sous les solives

ou quand la nuit tombe tout-à-coup parce qu'on doit allumer les lumières
ou quand la nuit est déjà tombée derrière les nuages
ou quand la nuit n'a jamais cessé

Comme un coup de klaxon rageur
suivi d'un grand doigt d'honneur
fait bouillonner les sangs
et empêche de doubler de peur
d'avoir à confronter le regard du guerroyant
et d'avoir à s'arrêter au milieu de la chaussée
pour s'expliquer et, enfin,
en venir aux poings :
la méchanceté amène dans des contrées
où l'on n'est plus soi, mais un sinistre ignorant

quand la percée dans les nuages annonce la lune dans toute sa splendeur

Pas comme le lait qui bout hors de la casserole
Pas non plus comme le plat oublié trop longtemps sur le feu

Mais bel et bien comme l'oasis apparue au troisième jour de marche sans eau
et qui disparaît.

True and through


"To die for an idea; it is unquestionably noble. But how much nobler it would be if men died for ideas that were true."

H.L. Mencken, US writer, editor, and critic (1880-1956)

Wednesday 26 June 2013

September 1, 1939



I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.

Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.

Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.

Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.

Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.

The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.

From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
"I will be true to the wife,
I'll concentrate more on my work,"
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the deaf,
Who can speak for the dumb?

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

Wystan Hugh Auden, Anglo-American poet (1907-1973)


Tuesday 25 June 2013

Spinning Statuette in Manchester Museum

Immersion


"Every human being's essential nature is perfect and faultless, but after years of immersion in the world we easily forget our roots and take on a counterfeit nature."

Lao-Tzu, Chinese philosopher (6th century BCE) 

Monday 24 June 2013

Survie des agélastes



Non, ne survivons pas à notre génération !

Tailladons-nous les veines, dévorons nos rations !
N'attendons pas comme des moutons la glaciation !
Crier contre l'injustice rend la voix rauque ?
Alors hurlons parce que ce monde ne vaut pas une bauque
et qu'entre injustice et impunité tout nous paraît glauque.
Rions à pleins poumons, dansons, chantons !
La vie n'est rien de moins qu'un marathon.
Étourdissons-nous puis repartons !
Brûlons la chandelle par les deux bouts,
car d'autres moins vivaces resterons debout
car on n'a jamais vraiment eu besoin de nous.

Creating the demand


"The whole art of teaching is only the art of awakening the natural curiosity of young minds for the purpose of satisfying it afterwards."

Anatole France, novelist, essayist, Nobel laureate (1844-1924)

Saturday 22 June 2013

Tentatives



Toutes ces tentatives
loin d'être naïves
sont incomplètes
désuètes
sommaires
éphémères

le temps excoriera
l'expérience animera
la puissance sommeille
attend l'éveil
la feuille de thé
en forme de paupière
l'hiccéité
formée dans la poussière

il faudra pour cela verser
plus de sang et de larmes
que n'en fit couler Circé
sans l'aide d'aucune arme

il faudra pour cela observer
plus de soleils et plus de lunes
au coucher et au lever –
peut-être les voir de la dune

il faudra pour cela vivre
moins vainement
lire plus de livres
plus silencieusement

il faudra pour cela, aller de l'avant
et être moins ivre moins souvent

Autant que possible (1913)


Et si tu ne peux pas mener la vie que tu veux,
essaie au moins de faire en sorte, autant
que possible: de ne pas la gâcher
dans trop de rapports mondains,
dans trop d’agitation et de discours.

Ne la galvaude pas en l’engageant à tout propos, 
en la traînant partout et en l’exposant
à l’inanité quotidienne
des relations et des fréquentations,
jusqu’à en faire une étrangère importune.

Constantin Cavafis, En attendant les barbares et autres poèmes
 

Friday 21 June 2013

The longest night



The longest night is the longest day
juxtaposition of sun and sun
moon and moon in ecstatic ballet
light and light over a tiled floor
where names are renamed,
where words acquire new meanings for the night.

And the revelling takes on new shades
and people new hues
when yew trees extend their claws deep into the dusk
when the husk of what was is discarded
in the bonfire
and the pyre is delineated,
fiery line by fiery line,
minute after minute
by the failing light and the rising darkness.

The longest night of the year
lengthens and lengthens
and the lanterns flicker the way to the sphere
with the uncanny patterns,
some dance, enraptured,
some gambol with the giggling and the gay,
by the night immatured.

Behind the black birds-and-buds motifs
is secreted a spiral staircase.
Some, led by the nocturnal connoisseur,
will ascend this null point in space
and still the sclerotic buts and ifs
with the tongue-tying picture
of the city glazed in dazzling darkness
stripped of all merit and of all culpa
during the longest night of the kalpa.

Thursday 20 June 2013

Ramblings of an old man



Drop for drop
it should stop
when the cistern
becomes an urn.

Vessel grim and churning
harvests the burning
and we keep going
yes, we do.

Dustdrops dissolve
in the quiet surf
become a salve
neath the wharf.

Liquid stones
melting bones
trampled ashes
thesaurus dashes
bloody old crones.

Growing fear
of the nadir
the end is near
the end is near
the last frontier
where all things cohere.

Irises found in the next of kin
flaws in the depths of the skin
and the ceiling reels
the next funeral steels
yet we cover our ears to the din
for all things spin
one and two
one and two
and whirl within
effect and reason
of our chagrin.

Faults and imbrues of our forefathers
fuck us up into a spot of bother
and we pay our dues to our sons and daughters
conscientious saboteurs
hurtling topsy-turvy in the venerable turds.

It really is a rotten business, getting old is.

Wednesday 19 June 2013

Fragment #1



Good-Friday's
cruxed Jesus
poised his back on the stairs
awaits the darkness and
the living history
to begin
again

Tundra



Not here, not here the desert
in this collapsing world.
Tundra has always exerted magnetism
from the very end,
which is also the beginning.

Few words, a man of few words, this they say that I am.
I punched and kicked and bit the devil out of me,
back in that dusty, tottering tomb.

Silence above all else.
The silence within for the words to reverberate.
I am closing in in order to open up.
I am withdrawing from the world in order to commune with the world.
I am silent in order to speak out.

Though deaf and dumb I spoke the word and I heard the sins
word against sin
word against bread
silence against water
word for water.

My staff will come to tread other deserts
other tundras
whilst I rot here, here where none can find me,
not even by accident, for the tundra hinders.
 

Tuesday 18 June 2013

Fragment #66



phalène hors d'haleine
cognant contre le carreau
lumière de l'halogène
faux fanal ou lamparo
dans la nuit de méthylène
le mirage moderne du brasero
et l'antique de l'astre sélène
lueurs des leurres cathéméraux
aux saveurs d'éthylène
phalène hors d'haleine
volant jusqu'au luisant zéro
aux éclats vespéraux

Fragment #102



écrire pour oublier l'abîme
pour garder les paupières closes
les bras déposent
des gerbes de rimes
pour recouvrir l'aporie
la vie en creux qui implose
la rose n'est plus une rose n'est plus une rose n'est plus une rose
car plus personne ne rit
et le poète, lui, dérime
dans ce monde de morte prose

Monday 17 June 2013

Fragment #9



s'assoupir pour fuir le quotidien
dormir pour abolir l'ultradien
s'éveiller sur un nouveau jour
ou une amorce de décours
mais pas sur ce manque d'amour
ce toujours à rebours
ce tout-rien officiant en calcin
ce mal-être malsain
qui pourrit tout et ne laisse rien

The People of Tun



This story is set in the tawdry town of Tun.
Its inhabitants were sundry good-natured fellers,
ranging from the grass-eater to the admirer of the sun,
but amiss from the roll-call was the storyteller.
Nowhere to be found.
So in his stead
they choose to propound
the cutting and spread-
ing to each citizen of a word
they had to learn by heart.
Anon they forgot
which word went with what yarn.
Had they set fire to the library barn
they hadn't done so much damage
in this year and age.

In time they compiled each citizen's treasure
and to add to this disaster
came up with a book of verse
that ranged from very bad to worse.

The storyteller is fated one day to come back to this place.
Let's picture his disgusted face
when he'll learn of the people of Tun's disgrace:
my hunch is that he'll retrace
his steps and go back whence he came
for there he had earned fame.

Sunday 16 June 2013

Fragment #18



le miroir avance
son reflet danse
son ventre en cadence
et les yeux larmoyants

hier sentait la romance
hui pue le rance
comblée la béance
seuls ses petits seins saillants

un souffle en dormance
insouciant et souciante
pleure en silence
et le miroir tressaillant

musique fulgurance
flash d'iridescences
bientôt le fer de lance
dans son ventre tournoyant

Fragment #47



Tout en nuance, sous un paquet de nerfs,
roulés en boule et tout bien chiffonnés,
on ne croirait pas un valétudinaire
Qui fait à sa camarde un beau pied-de-nez.
 

Anon



clonk, clonk, clonkclonk
clonk, clonk, clonkclonk
rhythmical lameness
human vagueness
no one knows
not a single one
not one knows
who's this one
clonk, clonk, clonkclonk
clonk, clonk, clonkclonk
now hitting the pavement
then a worthy savant
when he was born
he didn't choose
when he was born
to turn to booze
clonk, clonk, clonkclonk
clonk, clonk, clonkclonk
mordant randomness
translucent humanness
now a piddling anonymous
no more joy than what chance allows
now a piddling anonymous
shadow walking among shadows
clonk, clonk, clonkclonk
clonk, clonk, clonkclonk
out-and-out tiredness
convenient emptiness
like bearing a loss
the weight of the earth
like bearing a cross
which has lost is worth
clonk, clonk, clonkclonk
clonk, clonk, clonkclonk

Saturday 15 June 2013

PJ Harvey - When Under Ether






The ceiling is moving
Moving in time
Like a conveyor belt
Above my eyes


When under ether
The mind comes alive
But conscious of nothing
But the will to survive

I lay on the bed
Waist down undressed
Look up at the ceiling
Feeling happiness

Human kindness

The woman beside me
Is holding my hand
I point at the ceiling
She smiles, so kind

Something's inside me
Unborn and unblessed
Disappears in the ether
This world to the next
Disappears in the ether
One world to the next

Human kindness


NB (19.06.13) I just came across this line: "Or when, under ether, the mind is conscious  but conscious of nothing -" TS Eliot, Four Quartets, East Coker III, 22. Quite an eye-opener, come to think of it.

Spilt milk



spilling the quotidian like one spills milk

the attrite and the contrite like a rubik's cube
shelved as proof of one's incapabilities

the banal and cliché rostrumed as delicacies

the usual ballyhoo over a handful of pubes
the general vagueness over those who bilk

the burmese and thai kids can now play with hashtags
while we must suffer the low men's contumelies
while wallow in slouchy dough old shallow hags
on glossy sensationals in lurid, photoshopped poses

the thought struck me this morn when like silk
over the table ran a dazzling dash of spilt milk

Friday 14 June 2013

Reveller



I master of the revels I wallow in devilry
I paint the town red with my blood
I dead-man I strut with gauche raillery
I choke on a tightly-spun tie-knot.
I devil-of-a-man I spit bloodclots
And die I die fall I fall with a loud thud.

Dire l'autre ment


« Quelle idée, de demander à un poète ce qu’il a voulu dire ? Et n’est-il pas évident que s’il est seul à ne pouvoir l’expliquer, c’est parce qu’il ne peut le dire autrement qu’il ne l’a dit (sinon sans doute l’aurait-il dit d’une autre façon) ? »

Francis Ponge, poète, in Méthodes (1988)

Wednesday 12 June 2013

Spectator-in-the-round



Run-of-the-mill characters from a worse play
Strut histrionically the ironic stage,
Iconic dumbness in stilettoed fancy-dress,
Made-up down to their pared toenails,
The farcical merry-andrews meander
Under the merrier patronage of ridicule.
Their burlesque antics have everyone chortle but I –
My mind's foibles invisible until then,
Until they uttered their pragmatic ineptitudes
Sucked from the paunchy thespian cow's udders.
I, being the only spectator reeling at the centre
Of this immense rostrum,
Look rather like the simpleton,
Quite impervious to their dramatic talent.
I am quite the Aunt Sally really,
Sullied by their sallies,
Quite the middle-of-the-road laughingstock,
The stock-in-trade jack-of-no-trade
That sends the frolicking cartwheelers
Rolling in the aisles – boy what a keeler!

Take me for a ride, jocular jokey jockeys,
For this slapstick world never is as wacky
As when you take turns to make it tacky!

Don't stop the marring-go-round,
We're having so much fun...
I promise that soon
With a red schnoz I'll return
And cook up my own puns.
In the meantime, my belovèd goons,
the shenanigans must resound!

Right is might



I know what I did to deserve this but the penalty
methinks is too high for such a trivial felony.
Banishment is much too harsh.
Harassment indeed's too rash.
E'en though punishment is behovely,
why going as far as calumny?
Man hastens to judge the teacher
when he fancies himself the preacher,
whilst he is nothing but the barnburner,
the barrister, the jury and the executioner.

Tuesday 11 June 2013

Phoenix



The ripples people cause draw
riddles in the sand of our soul

Like a torch branding a red gulch in the hours

Some people set alight our world
and watch it burn and walk away

Like a runaway boy affronting the darkness
wrestling the man within mano a mano

Lighting his mind with a singeing fire
no sea can quench no spirit can quell

For this inferno birthed a sandglass

Kick the dust the ashes of those we once were
Rise like a phoenix and burn burn burn

Perspective


"Je n'ai point craint de m'engager et j'ai fait le solliciteur. Je me suis librement avancé, car nul au monde n'a barre sur moi. Mais tu te trompais sur mon appel, car tu as lu dans mon appel ma dépendance : je n'étais point dépendant, j'étais généreux." Antoine de St-Exupéry, Citadelle, CLXX (1948)

Sunday 9 June 2013

The first and last manifestation



The wind sways the barley field in waves.
Christ is weeding out the poppy flowers.
Merciless sun high, high up, hung high.
Counterfeit scarecrows extend their arms.
Not a cloud, not a cloud in sight.
Taken by surprise by a distant shout, the ravens soar.
Nails driven deep into the timbers.
For five hundred years they have practised,
the preparations are ready.
The day has come.
The wind sways the golden manes.
This day is fate-changing and like any other.
Christ walks among the shouting men.
Their gut-gripping hatred carefully sought out.
Hate is behovely but all shall be well.
Every man and thing shall swell with pride.
Sometimes, no man deserves pity.
The near-bursting veins on their forehead
make them look as ridiculous as when
they shit, pants dropped on their heels, and pant.
This hot day was endured to allow men
to piddle against the backwall of their garden.
Sometimes, the magnitude of life drowns in
the most meaningless, mind-numbing routine.
In the mean-time, as it one day happened,
the wind sways the barley field in waves,
And Christ is weeding out the poppy flowers.

Affront



Help will not come. No living soul passes here, and if one would, it would not stop, it would not linger. He does not know how he is still alive. There is blood everywhere. His blood. On the grass at his feet, on his shoes, on his pants, his shirt, his hands and face, his hair. His sword is spattered with the boar's darker blood. He can feel his blood still flowing from the wound at his side, soaking his shirt and sticking it onto his skin. He is lying on the ground. On his back. He is panting. His flesh is burning, he is sweating, he can feel the beads rolling on his forehead. He shivers. The pain redoubles. He does not know what really happened, if he attacked the boar or if he was charged by the beast. He cannot really remember what he was doing in this part of the forest. He does not know when or how he struck the brute dead. If he passed out or not. What time of night it is. He cannot see the moon. The sounds of the darkness breathing in his ears come muffled, distant, as if they were not really there, as if they were happening in another reality, in another time, as if they came from the moon and that by the time they reached him she had already gone. All he knows is that help will not come. He grabs a handful of grass and presses it on the cut. He does not know why he does this, but it soothes him somewhat. Like filling the hole where his flesh was, as if it could make his skin whole again. The gash runs deep, he can feel the depth with his fingertips. Help will not come. He has to do something. He rolls onto his stomach and he yelps and he can see white dots floating in front of his eyes. Outside of him, darkness prevails. It tries to infiltrate his body through the cut. He pushes on his feet and knees, his right hand clawing at the ground ahead, and crawls. He does not know where, but he crawls on. He cannot remember if there is a clearing nearby, or if the forest is as dense as legends say it is. Perhaps he crawled for hours, for the spangles in the skies have dimmed and the obscurity has faded. He can see somewhat. Never has he suffered so much. He cannot remember if he has ever heard anyone tell of so much pain. It seems now that his dreams have fled, that everything he has lived has come to nought. And the pain. Sharp, steely stabs of pain, spurring at his side, radiating through his chest, numbing his fingers, knotting his throat, churning his innards, crushing his mind. He can die, this he is certain of. His mouth is more parched than when he and his brother were lost in the desert. Back then his body had felt as dry as the sand, but it had felt resistant enough to withstand the ordeal. There had been no breach in his body, no blood spilt. His hair is matted with clotted blood, and he can feel patches of dry blood curdling on his face. He is still crawling, but he does not know how, or why. Or where. The sounds of the daybreak feel less distant, somehow. The pain has not abated, yet the bleeding has ceased. The white dots are still hovering. He does not want to look back, in case he loses his impetus, the little willpower he has mustered. But he cannot know how far he has crawled, he cannot see where it is that his life has changed, for ever. Never has he felt so lonely. He stops to catch his breath. Something is rasping in his throat. Still knotty. He can feel spasms in his left leg. He can feel it jerking at times. Sometimes it does not respond. He rests his chin on the ground and looks around. Trees are less dense, and he can see the sun a little to his right. For now it is only a thin line of purplish red, curved like a nail-cutting. If the trees are sparser, and if he goes on more or less in the same direction, he will come across the cave he has spent the previous night in and in which he has left a few provisions for the return journey. All he can remember at present is the brutal onslaught and his feet being lifted off the ground and the tusks boring through his ribs. On foot and uncaring about the future, the cave is a half day's journey ahead. Help will not come. This land no traveller roams. So he will have to confront the ruthless bite of the sun, the occasional nibbling of the crows which will spring him back to life. This will scare them only a short way off and they will follow and watch. He will have to suffer the thirst, the heartbeats drumming in his side, his wound bleeding again. He will have to suffer the consciousness of the slow progress, the realisation of the imminence of death, the loss of both hope and despair. Nightfall comes and another pain makes his mind swirl. Hunger. Weakness slows him even further down. He is afraid to fall asleep and not to wake up. He is afraid that if he loses consciousness the crows will eat him alive, that some wild beast will finish him off. But darkness is covering the land, fast. Regaining prevalence. He must find a shelter to pass the night, take his chance at sleeping and regain some strength. He would have to find some nook beneath some flat stone at the feet of the mountain, and there he would lay flat on his back and abandon himself to sleep. He would then dream of the boar furrowing in his side as if he were mere ground, and feast on his flesh, its snout dripping with blood and the occasional bone cracking would mark the progress of the banquet. He would feel his body rock and jerk, and the intense, fiery pain electrifying his entire frame. His eyes would only see the fingers of his left hand resting on its back, a little curled, smeared with dry blood. Dirt under his fingernails. He wakes up and finds dawn breaking. He still has a long way to crawl, and his strength seems to have ebbed away in the night. He feels so weak he can barely breathe. Dew dripping on his shoulder. He moves his head a little, lets the drops land on his tongue. It has a strange metallic taste. It has melted the dry blood on his tongue, but it feels strangely reviving. Soon the drops cease to fall. His tongue pecks at the underside of the stone. Salty taste. His heart sinks, he feels like crying. The end is near. He must leave, at once. The return journey is now. Never did he forget the hours he crawled towards the cave, these hours which passed like years; never did he forget the dry thunderstorm which split the skies in twain, which made the ground shake, which splintered a nearby tree with the spine-shivering, crackling noise of bones breaking. He never forgot the pulsating solitude of those hours, the excruciating sadness he felt when he sighted the cave and the sharp feeling of emptiness on that instant as he felt drained from his last resources. He sleeps on the spot, uncaring, ready for either death or life to come. He cares for none, and none has come, it seems. So he crawls forward, unminding the world around him, the rocks snatch at his clothes, tear at his hands, flint roll under him. His mind echoes like a beehive. He cannot think but for the constant buzzing. If he could weigh the heavens up above, each of his eyelids would feel twice this weight. Each of his limbs is a heap of pain, an agonising mass which he drags against its will. Going through the crevice, he realises that he now has to build up a fire, collect water in the pan and boil it, sit up and undress. All of these now sound monumental actions. The routine of living appears as a shocking waste of energy. He has to bathe his wound, sew his skin back into place. Help will not come. He has not done all this to die now. He cannot die. If he survives this, never will he let anything or anyone stand in his way, never will he let a heart break his, nor a sword match his; and spear in hand, he will affront this pig of a world.

Friday 7 June 2013

Humble discoverers


"The greatest obstacle to discovering the shape of the earth, the continents, and the oceans was not ignorance but the illusion of knowledge."

Daniel J. Boorstin, historian, professor, attorney, and writer (1914-2004)

Thursday 6 June 2013

Silex



Against all odds, blood came out of his friend's throat. In one single, deep red gush.
The stone he'd slingshot, a silex, had penetrated deep into the flesh, leaving a carmine gash like a thin pair of lips on the side of the gorge.
Against all odds, the silex had rebounded off his foe's forehead, leaving only the thinnest cut, and had flown with a butterfly's fluttering whistle straight into his friend's throat.
He had vacillated for some seconds, as if suspended on strings, and his hand was about to cover the wound when he crumpled down, as if his legs had given way under him.
He had a look of surprise on his face.

That was more than ten years ago.

The foe he'd slaughtered with his bare hands and teeth, shedding tears for the loss of his friend.

A fortnight ago, for the first time, he had opened up. He had even been happy. How he regrets it now.

Today, the carapace is curling around him once again. The lips are mouthing something. The silex tooth is munching on the flesh. He is tired.

Yes, he is tired.

The lips won't stop. And what seem like thousands of butterfly wings flutter in his ears.

Tomorrow he'll shape a silex like he used to do, and stop being a coward.

Back to the future



Wednesday 5 June 2013

L'avancée du désert



Souvent, on est pétri de cette infinie certitude de ne rien savoir.
Poursuivi, on est acculé à l'immensité du désert,
hagard et pantelant, comme on le serait dos à un mur.
Même ceux qui pensent n'être point nomades errent.

Pourtant, on sait bien quelque chose qui en vaut la peine.
Pourtant on saurait mieux se cacher dans la combe d'une dune
qu'au plus profond des hypogées dans les abysses chthoniennes
Pourtant on contemple, on s'attache et l'on aime à enfouir ses racines.

clarténèbres



demaincision de mon âmertume

t'écrire aujourd'huis-clos

involonterrassé instantanémensonge

hier tumeures sanguinavouée

claudiquand l'ennuit est jour

à voir les paupières ouvertes de rage

bultime tabula rasade de tristesse

ivrenaissant de noirceur de lait

jour se levanticipateur ouranostalgique

Monday 3 June 2013

Blinkered


"In the face of suffering, one has no right to turn away, not to see."

Elie Wiesel, writer, Nobel laureate (b. 1928)

Sunday 2 June 2013

La fin



un matin on se réveille
et le cœur ne pèse plus
la veille semble moins absolue
la lassitude lavée des artères
les cernes moins creusés
le hâve de la figure moins blasé
l'on a dormi d'une traite
ni joyeux ni lugubre
en parfait équilibre
on sait alors que l'oubli est impossible
mais le nœud dans la gorge s'est défait
les mains paisibles sont déliées
la poitrine désempesée
on écoute les battements du coeur
apaisé, quand la plupart en ont peur
il y aura, bien entendu,
des sursauts de passion et d'espoir
mais on a lu, enfin, un "Au revoir."

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