Thursday 31 January 2013

Long-uage


“Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.”

Stephen Fry, English comedian, writer, actor, humourist, novelist, poet, columnist, filmmaker etc...

Tuesday 29 January 2013

BIGGEST WAVE EVER SURFED - Full Video Clip

Dans chaque plateau de la balance


L'orpailleuse de son œil d'aigle le fixe de la tête aux pieds. Il est mal à l'aise.
Oui, répond-il, c'est pour lui la première fois. Il se sent en faute.
Elle, ne cille pas. Plus. Elle, ça fait vingt ans. Elle en a vu d'autres.
Elle estime les bijoux devant ses balances, les griffe, les certifie, les pèse.
A moins d'hésitation à les acheter que le jeune homme à les vendre.
Il sent la peau de son cou se tendre, attend le cachet.
Il se mord l'intérieur des joues, jusqu'au sang.
Mais ce n'est pas le remord qui le ronge, mais belle et bien la faim.
Ce soir, il mangera. Pas autant que son appétit l'exigerait -
Car demain la faim rôdera, malgré tout les festins -
Mais il la repoussera, un temps. Car Prudence est mère de survie.
Il sait à présent la différence entre besoin et envie.
Car il n'est de plus grand sacrifice que l'or qu'on hérite.
Elle le sait ; lui vient de l'apprendre, et pleure sur ses frites.
 

Monday 28 January 2013

But


"On n'est pas un homme tant qu'on n'a pas trouvé quelque chose pour quoi on accepterait de mourir."

Jean-Paul Sartre, L'âge de raison (1972)

Friday 25 January 2013

Not quite the case


"In order that people may be happy in their work, these three things are needed: they must be fit for it; they must not do too much of it; and they must have a sense of success in it."

John Ruskin, author, art critic, and social reformer (1819-1900)

Thursday 24 January 2013

How to bake a universe


"If you wish to make an apple pie truly from scratch, you must first invent the universe."

Carl Sagan, astronomer and writer (1934-1996)

Wednesday 23 January 2013

Tête baissée et le regard oblique



"Vivre, c'est s'obstiner à achever un souvenir."
René Char, La Parole en archipel (1962)

Tramp/bling


"I frequently tramped eight or ten miles through the deepest snow to keep an appointment with a beech-tree, or a yellow birch, or an old acquaintance among the pines."

Henry David Thoreau, naturalist and author (1817-1862)

Tuesday 22 January 2013

The words between the silences



Even the wind had a different taste on my lips
When you told me that you loved me.
Even if you never said the words.
I was parched for I had run such a long way,
From Athens and Katmandu actually.
I drank the words from your mouth
And I was soothed, and I was appeased.
I thought I knew the colour of the wind,
You made every shade of it fresh and new.
I tasted life and love and hate and jadedness
And quietude and solace in the time of catastrophe.
I didn’t know I was to meet you on this day.
I thought it would be a normal day,
Just like any other in this long sequence of days.
But when I woke up things had changed,
All by themselves, their hues were sharper.
The milk and cereals suggested transmogrification.
The orange juice was blue in the glass.
Those are unmistakeable signs that love is born.
The first words you spoke to me were:
“There’s a stone like a mountain in my shoe,
And this there horse is sure badly shod too.”
“I’ve seen turtles more thinly clad,” I replied.
“Crickey, that’s a bull’s eye if ever I saw one.”
“Mockingbird on the barn, raven in the rye.”
That was at the start of day,
Which together we spent,
We held hands after five paces.
That’s when I learnt to read your words and your silences.
You read the halt in my gait and my scars.
Even my long-time favorite crumpets
Lost their lure when you left me, for the night.
You had to go home for some reason I didn’t understand.
Even my enemies lost their sheen,
Even the stars looked dull and the mail serious
And the music soporific and the rest grey.
Imperious was the desire to follow you,
Even if this meant to travel to the back of the map.
The sea reminded me of your eyes,
The moon the opposite reflection of your pupils,
The clouds the wisps of hair on your shoulders.
And then morning came, exact and keen.
And your words rang like swords in my hands.
I tackled the world like a charging bull.
I scoured islands and coves and caves
And isthmuses and tundras, looking for you,
For traces of you. I followed your scent and
The silences you had left across the landscapes.
For between your silences I heard your words.
Those words meant freedom and cups of tea
And heaven in a handbasket; they meant
Crepes on a sunday morning and
Hot chocolate in the afternoon
And walking on disused railtracks
And sleepless nights shooting northern lights.
I arrived on the brink of the known world,
Eager to find and embrace you, at long last.
That’s when I received your postcard.
I hastened home with all speed.
You were waiting for me on my doorstep.
In the distance I could see your lips
Moving, moving
I knew the words.
Then as I moved closer I saw your lips
Motionless, motionless,
I knew the silences.
They birthed more hope than I hoped for.
Then you didn’t say something which made me stop.
Some things are better left said, or done, or both.
But you kept on not saying it.
You would’ve watched the world burn
Had you not found me.
Sadness paints everything grey.
Love on the run dyes every thing ecru.
I finally reached you and looked down at your shoes:
You were barefoot. I was still limping.
Yet there was the back of a map to be charted.
We set the badly-shod horse free
And he let us ride him. He was faster than lightning.
You murmured something which the wind took.
Mayhap that was an elaborate silence
Which said something that had not yet been said, ever.
You were so bold I wouldn’t wonder.
We shot through the degrees and minutes,
Arrived on the border where both light and darkness hover.
That’s when you worded the silence I’ll never forget
And silenced the words I’ll ever remember.
We were on the mark too.
 

Friday 18 January 2013

Which Way Is The Front Line From Here? The Life and Time of Tim Hetherington


It has been more than a year since Tim Hetherington passed away in Libya, yet it seems I can't get over it every time I watch him talk about his job, his way of looking at the world, at life. It feels like he would have helped us make more sense of the mess we're witnessing, enacting, creating.

Here's a tribute paid by his friend Sebastian Junger at the Sundance Film Festival: Which Way Is The Front Line From Here? The Life and Time of Tim Hetherington.

Here is the BBC article on the documentary and here is the presentation video of The Genius of Tim Hetherington (which I had already posted a little after Tim's death).

Tim, rest in peace while Libya just can't.

Wednesday 16 January 2013

Glight


"There are two kinds of light -- the glow that illuminates, and the glare that obscures."

James Thurber, writer and cartoonist (1894-1961)

Tuesday 15 January 2013

Justesse


"There may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest."

Elie Wiesel, writer, Nobel laureate (b. 1928)

Friday 11 January 2013

Shadows all around


"Most people think that shadows follow, precede, or surround beings or objects. The truth is that they also surround words, ideas, desires, deeds, impulses and memories."

Elie Wiesel, writer, Nobel laureate (b. 1928)

Thursday 10 January 2013

Eric Satie & Gunnar Ekelöf

Scars


"There is something beautiful about all scars of whatever nature. A scar means the hurt is over, the wound is closed and healed, done with."

Harry Crews, novelist and playwright (b. 1935)

Wednesday 9 January 2013

My heart is cold



My heart is cold, and it is weary.
It used to be warm and merry
Now it has grown old, and it is broken.
The shards still lay where it stood.
Long it desired to do good.
Yet it seems dead and cannot awaken.

My heart still rejoices, oft,
When I see nature unimpeded
When I see love kindled and granted
When I hear sweet music, and soft.
Yet my heart is frozen.
Yet my heart feels broken.

Yet not all is ash and dust in my chest.
Embers remain. Dwell in dream-like sleep.
Sadness dampens it. Feeds its unrest.
Loneliness like ivy coiling creeps.
My heart needs the fire of love to wake.
A fiery hand that might the shards take.

Yet I fear my heart is now too cold
To feel life in its veins again
It that was ever before so bold.
It that shunned from no pain.
It that now seems to be too old
For either love or hate to contain.
Although it may laugh and entertain
It feels like a handful of ice in the cold.

Monday 7 January 2013

Timelessly


"Words are timeless. You should utter them or write them with a knowledge of their timelessness."

Kahlil Gibran, mystic, poet, and artist (1883-1931)

Forever


"And the fox said to the little prince: men have forgotten this truth, but you must not forget it. You become responsible, forever, for what you have tamed."

Antoine de Saint-Exupery, author and aviator (1900-1945)

Sunday 6 January 2013

Caritas...


"We are so vain that we even care for the opinion of those we don't care for."

Marie Ebner von Eschenbach, writer (1830-1916)

Finding Gunnar Ekelöf


I have "discovered" this Swedish poet thanks to my Swedish friends who have highly recommended my reading his oeuvre. I looked up for translations of his poems. First thing which struck me was his voice: I immediately heard it. I have been told he was a niche, a special poet in the pantheon. Yet, sadly, I couldn't lay my hands on any book by him in English. There was only one edition available in French, found in only one bookshop in Stockholm. How disappointing not to be able to read in Swedish.

Then I scoured the Internet and a few things have turned up.


Poetik

Det är till tystnaden du skall lyssna
tystnaden bakom apostroferingar, allusioner
tystnaden i retoriken
eller i det så kallade formellt fulländade
Detta är sökandet efter ett meningslöst
i det meningsfulla
och omvänt
Och allt vad jag så konstfullt söker dikta
är kontrastvis någonting konstlöst
och hela fyllnaden tom
Vad jag har skrivit
är skrivet mellan raderna


Poetics

It is the silence you’re to listen to
the silence behind quotation marks, allusions
the silence in the rhetoric
or in the so-called formally accomplished
This is the search for what’s meaningless
in the meaningful
and vice versa
And all that I artfully seek to compose
is by way of contrast something artless
and the whole fullness empty
What I have written
is written between the lines



Kinesisk broderi

En eldfågels bo är hjärtat
byggt med kvistar av ådror

fodrat med lågor. Men fågeln
ruvar där i en ännu högre
värme. Från dess bröst och sidor
tycks lågorna vika. Orörd
vilar den på det osynliga ägget
med vingarna fläktande, stjärtens fjädrar
hängande ut över bokanten. Eller den fladdrar
ett ögonblick upp som för att hämta
tankars och bilders insekt, försvinnande
i luftens siden så snart den lyftat
åter synlig först då den åter vilar
i lågorna, slätande sina fjädrar med näbbet.


Chinese embroidery

A firebird’s nest is the heart
built with twigs of veins
nourished with flames. But the bird
broods there in an even greater
heat. From its breast and sides
the flames seem to fall back. Untouched
it rests on the invisible egg
its wings fanning, its tail-feathers
hanging over the nest’s edge. Or it flutters
up for an instant as if to fetch
an insect of thoughts and images, disappearing
into the silk of the air as soon as it has lifted
only visible again when it once more rests
in the flames, smoothing its feathers with its beak.



Both are re-blogged from this site. Then there's also this video of "I do best alone at night":






And finally these two poems:

Yes, I long for home,
Homeless I long for home,
Home to where love is, the one, the good,
Home to my real home!
That home is bright -
In my mind I open the door,
See everything awaiting me there. 
(from 'One after one')



A desolate wind from the city
and nearer, further
the bell's burden, swinging fifths
- it's burning! it's burning! -
of the dread march:
We lived - just then!
We live now not at all,
we shall live - for the firs time!
(from 'Marche funèbre' in Mölna Elegy, 1960)


Both taken from his biography. It's quite long, but worth it. These two poems are fantastic ones - he did put his finger right on the spot.

This last link will direct you to nine poems translated into various languages, taken from various collections spanning 35 years. Simply wonderful.

Problem is: I couldn't find anything else! Now I have to appeal to anyone who knows where copies of his poems can be gotten...please contact me!

Thursday 3 January 2013

Shame scrapes, but doesn't kill


"To be capable of embarrassment is the beginning of moral consciousness. Honor grows from qualms."

John Leonard, critic (1939-2008)

Tuesday 1 January 2013

The individuals


"My own experience and development deepen every day my conviction that our moral progress may be measured by the degree in which we sympathize with individual suffering and individual joy."

George Eliot (Mary Ann Evans), novelist (1819-1880)

Habits

I am a man of habits I got to this conclusion because I flash-realised that I am hoping that someone, someday will see the patterns the rou...