Tardago

Is it going to beg a colourful each moon?

Absolutely maybe, I read in the flight of the pelican –

they drink the blood of their young, I heard,

or the reverse in blue, or shades of blue.

Nowhere did it say you were half bat-shit crazy,

cunningly concealing your full-blown tardago

as you hovertrembled over cobblestones

like velum in the sleekthroat of the wind:

the vibrato of the last lines of Lord Jim,

pelican-like pelicans schmaltzing around

in the smokeguise of a snaking river.

Not once did you subtlemention your obsessions,

the stripes of coal-blue black tarcoal of your soul,

and you hopscotched till your shins hurt

and your mouth utterly wordparched.

Carbon-dated humour plastered on the wall of a cave

deepdown in the Larzac region of your heart,

that's what the mindspelunkers found

studied, edited, reported and archived,

patting their back and elbowing their sides,

unwondering what the use of the whole shebang was.

Yet the new moon came and your tardago with it!

The slyfooted auguries were caught unawares,

their nose too often skywards bent

while it should have haruspicised the omen.

You of all people know how to screenfathom,

how the tardago firesparks one into being –

you have been there. But you came back insane,

unfitted for shopwork or human relationships,

blind among the feathered, leading the pelicans

where they should have waitperched all along.

The new moon waned, and you and your tardago

went with it, thank god, never to be unseen again.

I am left herenow to lick my wounds and uncringing

slowly decipher murals in the candledark.

The Dancer

She dances, oh she dances

she tiptoes away in echoes

Her blue cotton dress is

a murmuration of sparrows

she darts and she flits and she comes

She forgets where she chances from

But not a glance, not a glance

In her ears ring sweet folk songs

so she dances and in her dance

swallows and waves in throngs

like tumbling pebbles on the shore

crashing and crushing and drowning

the shells, the music, the troubadour

Her quick legs flash like arrows

lance the wind like thunder

She whirls and swirls and she sees

the quiff lip of the cliff ahead

where every step stops to tread

And in one, two, quick embraces

kisses the ground she just left

And dances, oh, she dances.

Monster

I am the opposite of a monster:

I do not show myself to anyone.

I stay in the dark of my den,

I watch, I stalk, I conquer.

I do what everyone dreams of.

I listen and observe and wait:

I am early when others are late.

I do not hate, I can only love.

I am not what you think I am:

for I prefer the comfort of obscurity

to the dangers found in the city,

with its scoundrels, its thieves, its shams.

The art I practise you never discuss,

for you refuse to acknowledge.

Yet you can’t say that I make a fuss:

I’d rather remain at the light’s edge.

In the black of the streets,

my artifices open the minds:

I am the one-eyed leading the blind,

awake where everyone sleeps.

I am not the monster you think of:

I run deeper than your deepest thought,

what I do I do it for love:

I am that which you once fought.

I am in the hiatus, at the edge of sight,

only to be seen peeking between the slats.

Exiled by day and obscene at night:

navel of the world living among the rats.
 

The line in the sand

The line in the sand

I had to draw

was like the thin shadow

on the ridge of the dunes

when the sun starts mowing down

the world around

when the darkness looms

the line in the sand

I should have drawn sooner

was like the sleepless

possibility of chaos

of living on a fault line

the line in the sand

spiral poor and mean

sour and lean line drawn

with a flotsam stick

splitting the drowned

from the quick

that line in the sand

for us signalled

a mine in the sand

that would explode

and slay us both

the line in the sand

freshly-dug furrow in constant shadow

flanking dunes made by the hoe

like a toothless gum in a parchèd mouth

the greatest divide in that land

in which everything has gone south

so I drew a line in the sand

and we kept on either side of it

enamoured adversaries

who could and couldn't stand

on the one side of the pit

because someone buries

because someone had to quit

because someone must be banned

that damned line in the sand

estranged us, strangled us

for you it was a curse

because you didn't doubt

for me it was the ticket out

of that bloody wasteland

So I left behind the line in the sand

still drawn on that strand

marched on down the road

by walking away from you

my heart heavy and my head bowed

but with the steady stride

of someone who has gone through,

who knows it was the right thing to do.

 

Straight in the face

"I have known a vast quantity of nonsense talked about bad men not looking you in the face. Don't trust that conventional idea. Dishonesty will stare honesty out of countenance, any day in the week, if there is anything to be got by it."

Hunted Down (1859), Charles Dickens, novelist (1812-1870
 

Home Alone

"On stage, I make love to 25,000 different people, then I go home alone."

Janis Joplin, singer-songwriter (1943-1970)