Tuesday 12 September 2017

The sound of a gun


June comes roughly like the sound of a gun
not the one you expect at the start of a race
but one like a hair-raising thunderclap

in the sky are neither holes nor patches
but superimpositions of angry shouts
patched-up silver linings contouring a map

now allow me to make a bold statement:
solitude is cliff erosion,
it makes the head spin glancing down the gap

I'm tired of being patient:
nothingness is nothingness,
empty hands stay empty, not even a scrap

the depression you thought was gone
is back again, like the sound of a gun
which snaps you out of a Sunday nap

I'm tired of being tired, tired of helping others,
tired of knowing what to do and my hands tied
tired of unsticking myself out of this flytrap

this is the end of me as I knew myself to be
I see minutes pass like years, landsliding like morass
in pitch: need to either blast or soothe my skullcap.
 

Monday 11 September 2017

The sum of our parts


We have always been
more than the sum of our parts
more than what we've seen
more than a diary can chart.

We have always been
more than the net of our loss
more than our chagrin
more than what we have tossed.

We are less than the product
of any form of multiplication
less than the sectioned result
of any form of division –
yet, strangely, sometimes, we do find
we're more than all of these combined.
 

Sunday 10 September 2017

Granite


L'hésitation du granite aux frémissements de juin
de consommer la fissure attiédie de beaux jours,
dont l'intrusion s'est faite à l'origine de l'origine,

complétion dont l'homme peut enfin témoigner
– comme ce coup de fusil qui prend ses aises dans la plaine,
qu'on fait d'abord mine de confondre avec la foudre –
provenant de la grange pleine de foin sombre,
au pourpre du départ des manœuvres,
le coucou ayant sonné la fin de la moisson –

on accourt pourtant, on mesure l'interstice,
et l'on voudrait soi-même empoigner la pierre
pour la finir de fendre qu'on ne le pourrait,

alors on observe, et on attend le craquement final
qui survient un soir de fin de fauchage,
alors que sur le tard un ouvrier traine.
On a d'abord cherché l'éclair du regard
puis on a plongé dans le mica de l'œil incrédule
passant par les portes de la grange ouvertes en grand –

car qui aurait cru, sa dureté à l'épreuve du temps établie,
se pouvoir trancher ainsi le coin le rondin
ou bien météoriser en grus sur l'enclume des tempêtes,

qui a construit de ces monuments qu'on passe fier et serein
aux générations qui regardent la montagne immuable
et ne peuvent déceler le laccolite de peine
parce que le grenu de la croûte
a été consciencieusement gratté
chaque matin dès le réveil.

Le bloc de granite succombant à la pression caniculaire
s'affaisse en deux en un bruit sourd, la fissure devenant surface,
forme à jamais perdue, mais parfaite pour la légende.

Saturday 9 September 2017

What Drove Us Apart


To Theresa May

Not so long ago you said, Theresa,
that it was the voices of evil and hate
which drove us apart – but no offence
we may have a different answer to that,
for the roots of this stalemate
go bone-deeper than you can sense.

It's the written plea of the homeless
whose utter misery is being silenced –
even their voice was taken away, yes.
It's the omniabsence of the wheelchaired,
for their home is an island-horst
outside of which each-and-every road
is fraught with bureaucratic caltrops.

It's the little one out-of-the-blue-asking
her mom why her dad won't be home
and her, clenching to the kitchen sink,
and her head bowed in shame,
in-vain-dispelling the visions of flames,
as she can't explain a four-year-old why
her daddy died trying to save passers-by.

It's the gut-punching pictures in the papers
of people who could have been us,
praying a God who could have been ours,
who wince at the hand raised in succour
– it being so similar to that which cursed them
which, you know, could well have been ours –
trying to regain some dignity in the slums.

It's the 'apart' that in part drives us,
the further we are the better,
for the taking-parter is a meddler:
one's better off apart on the bus.

It's those who look at death in the eye
for a scrap of information, a picture
to show the world what it chose to disregard.
It's those who look at death in the eye
to mend, heal, soothe the injured,
to show the world what to choose to guard,
those who chose which world for which to die.

It's those who buckle up against insults
the coons, tramps, dems, tards and sluts,
It's those who curl up because they stood up.
It's those who step down for having stood up.
It's those who are spurned for another,
limelighting the concept of 'brother'.
It's all these bent-backs whose voice
was choked in the clangorous quotidian
because they were left with no choice,
they needed a loud-speaker to devoice,
to paint, to word, to picture oblivion.

Even then, sometimes, it's all in vain.

It's the little hurts which slip unnoticed,
the not-so-invisible indigence,
the eyes averting a raised fist,
the self-exonerated carelessness.
It's the vindicated right to be left alone.
So we choose to take cover behind our phone,
we step away, blame someone else,
we come home to check our pulse,
our children, our sundries, our affairs.
Until death strikes us unawares.

Of course, Theresa, we don't blame
you alone, for we share in this shame.
We were already worlds apart
when tragedies hit us so hard:
that which unites fails to bond
if nobody wants to go beyond
the barricades of their heart.

When I remembered the war in Bosnia
watching the ashen-haggard faces of Syria,
it's Richter's Sarajevo's voice I heard
which dug up the pictures, the words,
the agony watching the telly, the insomnias
when I was thirteen and yes, Prime Minister,
even twenty-five years later
I still cry when I think of Sarajevo,
because it's just a new shame starting de novo.

What drove us apart is ourselves,
Theresa May. We forget what makes,
who makes our lives, and we delve,
hurtle headlong without brakes.
Sure, we've grown used to unfair
– blood-and-tears the new wear-and-tear –
sure our life isn't so bad after all,
but we forget how much better it can be –
life isn't just so-be-it shawl-and-pall
or work-hard-play-hard philosophy,
it's also caring for people
and by people I mean any,
people-in-general any,
not just family
nor the polls
or albocracy
because unless we start
showing our real heart
unless we stop looking
and start scrutinizing
unless we stave off ignorance
and start world-educating
unless we dispel the rants
and start accepting
unless we sit down
and start listening,

yes, Theresa, we will be driven
further apart.
 

Friday 8 September 2017

La Marche


A couvert du murmure des ramondies
l'ombre du vent louvoie l'air de rien
entre les pierres chaudies d'après-midi
obombre les fourbes ophidiens.
Intranquille, l'enfant suit son père,
foule sa foulée, comme instruit ;
il suit son regard aux cieux,
mimant l'inquiétude, mais curieux
des signes décryptés par son père –
Regarde bien, c'est un jour de vipère,
les nuages ne mentent pas comme
le font si souvent les hommes –
la marche alourdie, pesante,
est aussi un signe de serpent.
L'air est sifflant, touffu, crissant au toucher.
L'ombre de l'enfant dans l'ombre paternelle
frémirait si elle avait des ailes –
l'envie d'empoigner cette énorme main calleuse,
cette pogne pleine d'une volonté féroce,
est si forte qu'elle en noue sa gorge –
mais le colosse au cœur de roche veille,
il sent la peur de son enfant qui le suit
couler comme la lumière sur la treille,
il avance comme son père avant lui –
sa bouche est pâteuse comme après l'hostie,
pourtant il est plus confiant à suivre son père
que le berger des grandes eucharisties,
dans le sillage de l'idole aux pieds de fer,
de battement de cœur en battement de cœur,
la peur un poids qui sale les perles de sueur.
Et en un instant,
l'herbe n'est plus herbe, le champ devient ciel,
le ciel devient champ devient herbe
devient le soleil seul œil à ne pas cligner
devient le chant oppressant des criquets
suspendu ou accompli
l'horizon aboli
un pas après l'autre,
un pas devient l'autre,
un éclair, peut-être noir, peut-être bleu
divise soudain le vaste monde en deux.
 

Thursday 7 September 2017

The Seaside


Footsteps shuffling on the shore
Far away surfs distill monotony
Mirroring tears through the entropic
Window pane on a rainy day

Build your fell-fated castles
Write your name as upon water
Leave your marks like echoes
Tread on the sand, trace trails
Foottrails woven in zigzagging pawprints
Discard burnt logs and orphaned bottles

Everything beyond the seashell-line
Is within the salvageable Pale
Everything else the sea will claim as its own
Never to be seen and remembered,
Never to be claimed and saved, ever again.
 

Wednesday 30 August 2017

Lone Wolf


"The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely."

Lorraine Hansberry, playwright and painter (1930-1965)

Tuesday 18 April 2017

Song for the dead


J'étais qu'un pauvre cul-terreux
Dans un village poussiéreux
Ma belle toi t'étais un torrent
Qui balaie tout en un instant

Je t'aimais et tu brisais le temps
On était tous les deux
On se dit que l'amour est émouvant
Quand on veut être vieux

Parce que l'amour faisait pas semblant
Il était chaleureux
Il voulait nous donner des enfants
Il était sulfureux

On était portés par un grand vent
On n'était plus frileux
Mais l'orage s'est levé brusquement
Puis y'a eu un grand creux

J'étais qu'un pauvre cul-terreux
Dans un village poussiéreux
Ma belle toi t'étais un torrent
Qui balaie tout en un instant

On a l'envie d'aller de l'avant
Oui, l'envie d'être heureux,
Pourtant faire le moindre pas devant
C'est déjà dangereux

J'ai parfois fait le mort, oui, avant,
Pour éviter les bleus
Les coups bas, on s'en est pris tellement
Parce qu'on est amoureux

J'ai traversé les sables mouvants
Je voulais être à deux
Mais t'étais un putain d'ouragan
Et moi trop généreux

J'étais qu'un pauvre cul-terreux
Dans un village poussiéreux
Ma belle toi t'étais un torrent
Qui balaie tout en un instant

L'amour du coup devient décevant
Respirer douloureux
Et toi t'avances, tu dis : « Au suivant. »
Et moi je suis comme un gueux

On a des balafres de survivant
Je croyais que tout irait mieux
Mais je marchais comme un mort-vivant
Comme un vrai miséreux

Alors j'ai fait la guerre dans le vent
Avec les yeux vitreux
J'étais comme un bateau dérivant
Et qui sauve ce qu'il peut

Je suis toujours qu'un cul-terreux
Y'a rien dans mon coeur poussiéreux
Qui attend le prochain torrent
Pour être balayé en un instant.
 

Sunday 16 April 2017

Fragment #68


She appeared out of nowhere on that street
She was like a cornered deer
-- Listening to music, her hair slightly messy --
Darting defiant looks from under her brow
Her face closed -- if a little tense --
Her lips pursed with no apparent emotion
Staying her restless feet
-- She came forward packing up her earplugs
said her name a little too loud
And shook my hand firmly

Her profile had shown no picture
Her messages were to the bullet-point
Yet she was here now, larger than life
And smaller than her voice suggested
In a black mousseline dress
With red embroidered flowers 
Bright red lipstick and deep mascara

She looked hunted nonetheless
Her hazelnut eyes flitting about
And past my left shoulder
Everything about her said:
"Come and get me, I dare you"
I knew it wasn't my battlefield
Yet I answered the call to arms

And all of a sudden I realised
That I probably had the same sort of face, every once in a while,
That hunted expression

She was going to a ballet, she said
To justify her smart outfit and make-up
She sported a tote bag with spare clothes
And a smile to damn yourself for

I clearly damned myself the second I saw her

To recognise a hunted look means
you must have hunted something, once
And gorged on the fear before the kill
We had both hunted and been hunted
We had killed and spared
It was time to joust

Now the memory of her is tainted
The plain mockery of the finger
Finding the flaw and rummaging
Through the wound
She was hunting

Now she appears as in a haze
Distant and aloof
Condescending even as I messed up
Me wishing I hadn't said anything I said
The coup de grace was coming

I pity her, in a way,
For having to endure this ordeal
Yet she had the art to be hunted
-- To keep the hunt going I mean --
To worm herself into my waking dreams

Her perfume is now fading away
Her embrace yet remains intact
Her last lie a stone in the edifice
That will crumble and fall
Her last words already echoes
Everything is trite now and useless
The longing so damn strong yet gradually fading
Eventually falling apart, amid sighs and
Shoulders shrugging into the darkness

Tuesday 11 April 2017

The mere


the calm pounding of our heart
like a slow marching-drum
waits and waits and waits
by the mere where no sound was ever made
rests in the vibrating nightlight

we feel drowsy with sleep
while the night kisses us
with heavy lips
rests our head on polished stones
tucking our body in the autan
still without a sound
– no bang, no whimper by the mere --

our hand, stayed at the first touch,
wishes for silence and a kiss
for the soothing blanket of music
like slow ripples on the surface
or like the longing for the warmth
of a hand, of a look
one meaningful look

there would be a familiar smell
an eyelash lost on a cheek
there would be a familiar step
and the evidence of the self
an embrace which neither
pity nor comfort commanded
the possibility of conversation
and – however transient –
the luxury of happiness

by the brooding mere
silhouettes brush past us
like leaves at the foot of a sycamore
nestled in oblivious postures
the night does that to us
brings us all sorts of visions
for it never is complete darkness –
this only do we achieve in our heart


-----------------------

time was wasted in colourless activities
now we observe, witness, record
the mind takes in, like hands on a clock
carefully penning an intricate story
which will only make sense
after it stops – yes, after it stops

yet by the mere, don't forget
that feelings are all and one
like the memory of the juggernaut crowd
its blind surge enveloping all eyes
this memory threshing afresh
our logical rage which prickles the skin
like ants riddling the body
– reminder of the machinery within –
the harpoons in the flesh
the dumbfoundness because we thought
our fears buried deep, so deep down
so far down we could forget them

yet we carefully curb the need to search
lest the darkness closes in upon us –
for the darkness lurks
its eyes spangle in the night –
so that we can put our mind to rust
staring with raised eyebrows at our white knuckles
and forgetting why it is we gnashed our teeth


-----------------------

shadows drift like shafts of light
on the coruscant mere
– 'tis a peaceful place
so distant from troubled times
that no sound reaches its shore
– silence magnifies its size –

the mere with maternal palms
caresses the tussocks, the trees
the stars on its surface
expertly fingering the tear on our cheek
as one would turn the page of a book
– we are close to falling asleep now
stillness does that to us –

our heartbeat ever so slow
our thoughts quieted
ready for the motionless flânerie
– and if, for a second, we expect sounds
to be made when we stir
we can rest assured the mere
will deftly cover them
in immeasurable silence
and wait, soothing and patient, for
the calm pounding of our heart 
 

thirty thousand people

The day was torn and grim birds yet began to sing as if they knew nothing’s eternal and old gives way to new that man, one day, will fall t...