There is a shocking violence
in the birds singing this morning
– this quiescent sunday morning –
perhaps they think that
after so many rainy, dirty days
they ought to have the right to sing
for they do it so boisterously
– almost belligerent in the face of peace –
with a raw, unfettered rage
as if they cried ‘spring is here, spring is here!’
with a jagged knife to our throat
curdling both blood and coffee
like so many threats of burning the world down
they chant the behoveliness of revelling in
nature and life in drunken ecstasy
upon pain of painful death
– enjoy or die –
– dance or die –
– fuck or die –
– and that’s final –
they don’t seem to care
if their lungs explode in the chorus
– those scruffy savages
frothing at the beak –
or if they starve to death
– they sing, unrelenting
with every fibre of their frail bodies –
their incessant, arrogant cacophony
fomented it seems since the last equinox
isn’t a celebration, it’s an invitation to murder
to a clamorous massacre
in every hue and smell spring brings
as we all must partake in the rite
they’re past febrility, or even tension:
they’re out for bloody mayhem, these birds are
spurred on by a ferocious hunger
and ravenous lust for their
bellowing decrees the solitude of the flesh over
– step into the light and break body and heart –
as if the only way to cope with so much beauty
was to wreck and laugh and bleed and dance
yet it seems such a small price to pay
in the grand decadence sung
in the sunlit-engorged fury
of the birds’ extravagant song
for we know deep down they’re right
our hair prickling on the nape of the neck
and a jubilant sizzling in the pit of the stomach
with so many things to look forward to
– death, love, sex, comedies, tragedies –
on the first day of spring.
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